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Writer's pictureKyle Bain

Echolocation (2022)

2022 CAMDEN INTERNATIONAL FILM FESTIVAL REVIEW!


Echolocation is an experimental look into everyday life and change. Through a series of recorded messages, layered images, and a number of other unique methods, this story of what happens next comes to be. Strap in and pay attention, because this story is unlike anything that you’ve seen before.


A language barrier exists throughout a good portion of Echolocation, and while it can sometimes make it difficult for viewers to understand exactly what is being said, it helps them focus on the visuals. Is that ideal? No. However, I believe that the intention of the film is to reach viewers more through the visuals than through the audio. Stacked images, seeing almost the order in which they are important to the filmmakers, is important to viewers as well–and it allows us to dive deep into the minds of those behind the scenes. The ability to feel like you're part of the story makes it easier to appreciate what is being said and done (even when that language barrier exists). This is the key to Echolocation’s success, as without being able to feel that sense of inclusion, it would have been difficult to follow.


It’s always nice to see filmmakers step outside of the box and attempt to create something entirely new. In a world where reboots and sequels have been the standard in mainstream cinema, seeing a fresh take on film is welcome and often entertaining. With that being said, however, there is always the chance that the world looks at these unique takes on cinema and questions its validity–but that is not the case with Echolocation. This film really does take viewers in an entirely new direction, and while it’s technically a documentary, the narrative present within the film is well constructed and vivid in comparison to what one might expect from a highly experimental film. From beginning to end, a message of love and passion is made clear, and viewers are happy to be along for the ride.


That aforementioned message is wonderful, and it entices viewers and gives them a reason to connect emotionally to Echolocation. It’s clear that Director Nadia Shihab knows how to reach her audience through pathos, appealing to those emotions, and really draw them in from the opening moments. Love transcends the entirety of Echolocation, and it’s apparent how tuned in Shihab is to her film, and how successful her approach is.


Echolocation can be a difficult film to decipher. With visuals that may not make sense to viewers, a language barrier that may strengthen confusion, and a wildly new approach to filmmaking, those who take the time to watch Shihab’s film may struggle to find its merit in the opening moments–but I assure you it’s there. Even if you have to dig deep to find meaning, or to understand the film, please know that Shihab is a beautiful filmmaker, with an in-depth understanding of the human psyche and human emotion–and she ensures that there is something present in Echolocation for everyone if they are willing to give the film a chance.


Directed by Nadia Shihab.


⭐⭐⭐⭐⭐⭐⭐/10


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